As a followup to the earlier post, here’s a bit brief summary of what the book is going to cover. Unlike the title— which might still be in flux— this broad outline of topics is locked in.
Continue reading “Fodder for title ruminations”Tag: covers
Celebration and title ruminations
I just found out today that my book on the philosophy of cover songs has been accepted for publication! Both referees said that the manuscript could be published as is, but of course went on for pages with comments about how it might be improved.
Continue reading “Celebration and title ruminations”Every video has an equal and opposite reaction video
I’m not a big fan of reaction videos as a genre, but Glamour‘s second-order reaction video series You Sang My Song is an exception. A star watches YouTube1 covers of their hits, and then the people who made each cover watch the reaction video of the star watching their cover. The stars sometimes get genuinely excited. The YouTubers are often genuinely verklempt.2
Continue reading “Every video has an equal and opposite reaction video”Sucking on a chili dog
One thing about cover songs is that there are a lot of weird edge cases. And so people ask What does your account say about… some oddity that they have in mind. For example: What does your account say about Tom McGovern’s video where he plays John Melloncamp’s “Jack and Diane” but replaces the usual lyrics with permutations of the phrase “suckin’ on a chili dog”?
The answer is a bit convoluted.
Continue reading “Sucking on a chili dog”Why I don’t give a definition of “cover”, Christmas in October edition
In a remembrance of his friend Rob Aldridge, Rick Beato recounts being in a band with him. They were playing Christmas songs in a bar. The proprietor interrupted their set and said that he thought they were going to play covers.
Aldridge replied, “What are you talking about? We didn’t write these songs!”
Unamused, the proprietor paid them for the gig on the condition that they stop playing immediately.
Cover songs book progress
I’ve mentioned in passing a few times that I’m writing a book on the philosophy of cover songs. I now have a complete draft, which moves it to the rock tumbler stage in which I roll around the prose to remove rough edges and add polish.
Continue reading “Cover songs book progress”Striking covers
Andrew Kania poses what he calls the striking cover paradox. The idea is that there could be a series of covers, each making small changes to the one before it, so that the final product sounds nothing at all like the original.
Continue reading “Striking covers”Write “whim” on the lintels
Last month on Twitter, Helen De Cruz asked what the motivation is to work up an idea into a paper or book, rather than letting them remain as musings, scribbled notes, or blog posts.
My initial answer, “Whim.” I added, “Not in a fleeting sense, though. There are some papers that I just find myself writing, and I guess those are the ones.”
The thing I currently find myself writing is a book on the philosophy of cover songs, tentatively titled Philosophy of Cover Songs. Although there’s a path that got me to this point, there is no real deliberation in it. The alternatives would be either to struggle to write something else (and so get less written) or to wander off to some other activity (and so write nothing).
Covers collaboration
At the risk of jinxing it, I’ve posted a late draft of Appreciating Covers.
I coauthored it with Cristyn Magnus, Christy Mag Uidhir, and Ron McClamrock, giving it the longest list of coauthors on any of my papers so far.
EDIT: There was initially a problem with the link. Should be fixed now.
Hey, mister banjo
Some people have argued that the phenomenon of cover songs is inexorably bound up with racism— white musicians lifting black music. For example, Don McClean wrote that “A ‘cover’ version of a song is a racist tool.” I don’t think so. Here’s part of what I say in a current draft…
Continue reading “Hey, mister banjo”…although covers were sometimes used as racist tools, racism is not intrinsic to the concept of a cover as such. As Michael Coyle puts it, crossover covering of R&B hits by white artists “exploited racist inequality but did not arise because of it.” The word cover originally had a sense of coverage which was not in itself tied to race, and covers in that sense continued.