This month’s First Monday is a special issue on Histories and cultures of emoji vernaculars.
I haven’t read it all yet, but I enjoyed SooJin Lee’s piece on MoMA’s exhibition of the original emoji. Lee argues on institutional grounds that the exhibition is sufficient to make the original emoji count as art.
Continue reading “🏅🗓 emoji issue”As a student, I wrote lots of papers. It was clear when I was done with a paper, because I turned it in and got a grade. As a professor, I write with an eye towards publishing. When I’m happy enough with a paper, I submit it somewhere. When it’s rejected, then what?1
Rejection is a strange and ambiguous thing. Sometimes rejection is because the journal had too many submissions or because the referee was just cranky. There’s no extra stamp to indicate that the paper just isn’t publishable.2 I revise it or don’t, and then I submit it somewhere else. Some papers, even ones that find a good home in the end, are rejected multiple times.
Over at Aesthetics for Birds, there’s a post about the philosophy of emoji. It’s mostly provocation, posing some issues, but it doesn’t make a direct connection to art. So, in the comments, I casually mention my work-in-progress paper on emoji art.
It’s a sufficiently cutting-edge topic that a number of the sources that the AfB article links to were not available when I finished my paper and sent it out scouting for rejection notices.
I just received a rejection notice from a journal. It was the kind of wordy but uninformative prose, filled with trivial but nonspecific detail, which strongly vibes form letter. The real give away was the salutation, which literally said “Dear Professor x”.
There’s an X-men joke to be made here, but instead… grumble, grumble.
