Sounds of the season, day 4

“I Heard the Bells on Christmas Day” (Wikipedia/YouTube) is a pretty song. No schmaltzy holiday tune, it reflects terrible darkness. You wouldn’t know it from most renditions, though, because they skip the dire middle verses. The version by Echosmith that I link to has the full lyrics in the comments, but they replace the dark bits in the performance with a jaunty instrumental transition.

Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!

It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!

a pig playing a fife

Sounds of the season, day 3

“Fuck you if you don’t like Christmas” (YouTube) is a bit Not Safe For Work, but all the NSFWness is in the title. It makes you wonder whether you like that Panama is an isthmus, which is something I never even thought about having an opinion on before.

“We need different stuff in the economy now, things are changing. … You can’t just think of yourself. Just this one time, because it’s Christmas.”

Above all that, it hangs together. And it’s catchy.

a woodpecker playing a holiday tune

Sounds of the season, day 2

“The Boar’s Head” (Wikipedia/YouTube) can be made very subtle and pretty, as in the arrangement I’ve linked to, but at bottom it’s a silly song. Written half in Latin doggerel, it begs to be belted out with gusto: “Let us servire cantico!

My wife’s family had printed packets of sheet music, so singing carols always meant picking from the ones in the book. When she moved to Albany, we went on-line to look for sheet music. Sending links back and forth, we sang from our open laptops. This led to us discovering lots of great holiday songs, but The Boar’s Head is perhaps my favorite.

Blair Thornburgh isn’t far from the mark in calling it “Almost the absolute best carol ever written.”

a boar carrying a tray of food

Sounds of the season, day 1

Last year I started to write a post about my favorite holiday songs. I didn’t get past listing the titles of seven of them. Inspired by the book week thing, I’ve decided to make it seven posts this year.

I first heard “Fairytale of New York” (Wikipedia/YouTube) as a teenager, because my brother was a huge Pogues fan.It has some lovely musical juxtapositions while still being something you can sing-along to. I understand that it’s a huge thing in the UK, so much so that not hearing it is a challenge on the scale of Whammageddon.1

a woodpecker playing a tune

Covers in HiPhi

Last Summer, Cristyn and I went down to Poughkeepsie to talk with Barry Lam about cover songs. The episode of his podcast featuring us dropped today.

Cover Me Softly

Barry has other guests who address historical and musicological issues. I’m chuffed, though, that the distinctions form my paper with Cristyn and Christy  provided the philosophical thread of the episode.

The whole episode is genuinely interesting and engaging, and I think I’d say so even if I didn’t figure in it. I was actually surprised that I didn’t wince at hearing my own recorded voice, testament perhaps to Barry’s skills as a recording engineer.

Shagg Carpet would be a good name for a Shaggs cover band

via The New Yorker, I learn that the outsider rock band The Shaggs recently had a reunion just down the road from me. Writer Howard Fishman asks

Was it fair to even call this band the Shaggs? Or was it, rather, a Shaggs cover band providing a live karaoke soundtrack for the Wiggins to sing along with?

As someone who once judged a contest in which contestants tackled the question of whether a band can be its own cover band, I can’t let this pass as just a rhetorical question.

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Hi-phi, podcasts, mash-ups, and covers

There is a short review of Hi-Phi Nation in today’s Guardian, topped by a nice picture of host Barry Lam.

Cristyn and I were in Poughkeepsie last week to talk with Lam about cover songs. He plans to do a show about musical covers. He called us because he had read the paper we wrote with Christy Mag Uidhir and we’re local.

Walkway over the Hudson
While there, we also took in the Walkway over the Hudson.

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Works of rock

I just finished reading Charles Bartel’s article “Rock as a Three-Value Tradition” (JAAC, Spring 2017) which develops on his 2013 post at Aesthetics for Birds.

“A concern for songs— however ontologically thin—and a concern for live performances—however ephemeral—is no less central to the rock tradition than recordings.”

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